Emily R. Brink

led and narrated by Robert Webber with a live congregation. Wheaton, Ill.: Institute for Worship Studies, 1999. Available from IWS, (630) 510-8905; fax: (630) 510-0601; worshipweb@aol.com.

Robert Webber, who has been offering numerous one-day workshops around the country (see current list below), has pulled together many of his ideas in a six-session video course. The videos include segments of actual worship services that model what he teaches.

Maybe you’ve picked up this issue of Reformed Worship right away, and you’re ready to start planning for Advent and Christmas. Yet many of you are still busy planning the more “Ordinary” services in the months leading up to Advent. Planning ahead often takes a back seat to planning for next Sunday.

All but one of the songs in this issue were included as part of service plans outlined in this issue of Reformed Worship. “My Soul in Stillness Waits” was sung as the opening hymn of every service during the Advent series from Hope Christian Reformed Church, Thunder Bay, Ontario (see p. 3). “O Gladsome Light” was recommended for the New Year’s Eve service plans (see p. 34). “Miren qué bueno¡” was sung at the joint English/Spanish service at West End Presbyterian Church in New York City (see p. 24).

I got off the subway and walked a couple of blocks to the big brick church on the corner of Amsterdam and 105th in New York City. West End Presbyterian Church has been on that corner for over a hundred years and has seen many changes, especially in the past generation.

edited by Howard L. Rice and Lamar Williamson, Jr. Louisville: Westminster John Knox Press, 1998. 254 pages. $15.00.

I recently heard a story about a woman in a shopping mall who accidentally dropped a large bag of items that scattered all over a busy aisle where lots of people were coming and going. As she quickly knelt down, trying to pick up everything, another woman also bent down and helped until every item was retrieved. The first woman, searching for a word of gratitude, blurted out, “The Lord be with you.” Instantly the other woman responded, “And also with you.” They laughed with joy and embraced.

I can still se them walking across the Calvin College campus during COLAM '95-Mark Filbert and his entire children's choir. Like a Pied Piper, he led the children to mealsm recreation, bells, and all the other activities of the first COLAM that included children. Mark, music director of a Lutheran church in Chicago, wanted his children to catch a vision larger than they experienced at home, a vision that would stay with them and help to shape their growth in their own congregation. They had a great time.

BGail Ramshaw. Minneapolis: Augsburg Fortress, 1997. Paper, 140 pp. Reviewed by Emily R. Brink, editor of Reformed Worship.

During the past generation, a wealth of new worship songs have been written. Many were inspired by the reforms of Vatican II during the 1960s, when the Roman Catholic Church translated their liturgy into the vernacular and began to encourage congregational singing. It should come as no surprise, then, that many of those new songs assume both Word and Table every Sunday. Also, since most Protestant churches celebrate the Lord's Supper more frequently than they did a generation ago, most hymnal sections on the Lord's Supper have steadily increased in size.

Every June issue of Reformed Worship is a theme issue, and every year the Reformed Worship staff and editorial council weigh various themes. Some of our theme issues have dealt with "hot button" topics of our time. Last year, when the RW editorial council discussed what the next theme issue should be, the Lord's Supper was clearly at the top of the list.