Q. Is it true that "All Creatures of Our God and King" has New Age ideas in it?
Rev. Dr. Harry Boonstra (1935–2017) was a theological editor of Reformed Worship and emeritus theological librarian of Calvin University and Calvin Theological Seminary, Grand Rapids, Michigan. Boonstra earned a PhD from Loyola University, Chicago and an MDiv from Western Theological Seminary. He was ordained in 1992 at age 50 and went on to preach at many churches from Indonesia to Grand Rapids until he retired in 1999.
Last Updated: June 27, 2026
Q. Is it true that "All Creatures of Our God and King" has New Age ideas in it?
I'm writing these thoughts at the end of August, after visiting and preaching in a number of different churches. Although these congregations were theologically rather uniform, their worship idioms differed greatly—ranging from stately Canterbury to enthusiastic Nashville. And some of the congregations showed cracks and crevices in their koinonia, because of differences in their worship preferences. All of which made me take stock again of my stance on various worship issues. Here's my worship credo of ten years ago:
James E White. Nashville: Abingdon, 1993.192 pp., $14.95.
Since many congregations are still new to observing the Christian Year, a teaching service about the various church seasons can be very instructive The following service was first conducted at the Neland Avenue Christian Reformed Church in Grand Rapids, Michigan.Although hymns are suggested in the service, feel free to substitute other seasonal hymns Also, whether you use more or less choir participation will depend on your local situation.
This article doesn't so much provide answers as it raises questions. Ceremonies and rituals exist in all worshiping communities. How might you reflect on the meaning of and evaluate the worship rituals employed by your congregation? How might you educate your community as to their meaning and importance? Should you adopt new rituals and stop others? What guides your decisions?
Regina Kuehn. Chicago: Liturgy Training Publications, 1992.137 pages. "All you've ever wanted to know about baptismal fonts." You will find that and more in Kuehn's book. The text is directed largely at a Roman Catholic audience, and most of the examples are from Catholic churches (except those fonts illustrating immersion, which are borrowed mostly from Baptist churches).
Bulletin NoteAsh Wednesday is an ancient holy day in the Christian church calendar. It marks the beginning of the season of Lent—a time of penitence, discipline, and renewal. In the Ash Wednesday service we are reminded of our mortality, we confess our sins, and we experience forgiveness through Christ's death and resurrection. The "imposition of ashes" is a central part of the service. During this time you are invited to come forward to receive the ashes on your forehead.
In the opening song of the musical The Cotton Patch Gospel, the chorus sings: "Somebody said, 'It's the second coming,' someone said, 'It's the first.' Somebody said, It's the best that could happen,' someone said, 'It's the worst.'"
Donald Wilson Stake. Louisville, KY: Westminster/John Knox Press, 1992.196 pages. $9.95. Reviewers of dictionaries and encyclopedias are apt (perhaps ungraciously) to cite lists of items not found in a new work. Such a list of omissions would be easy to produce for any liturgical dictionary especially a concise one such as Stakes. But in this case the omissions make room for inclusions that are of special interest to Reformed Worship readers.
Edward Foley. Chicago: Liturgy Training Publications, 1991.206 pages. This fine book would be improved by a more clear subtitle. In the old-fashioned tradition of long book titles, it should go something like this: A Brief but Accurate History of Roman Catholic Worship, with a Brief Glance at Some Protestant Worship Traditions.
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